I am like a character in a book, contemplating time, where my thoughts are the text of an unwritten story, in which the future feels like the past, and the present lasts only as long as a cigarette burns.
All these feelings give me a ticket on a high-speed train of cinematic narrative, where the final destination in this story is the station of melancholy.
The view from the carriage, through fogged-up glass, obscures the landscape; only rays of light pierce through, letting you glimpse and feel warmth, as if spring has finally arrived.
My art is an attempt to preserve eternity in the present, visually conveying reflections and memories.
For me, time is the interaction of the past, present, and future. It is not linear but cyclical, where the past and future collide in a single moment, creating a sense of an eternal loop.
I create dramatic narratives inspired by cinema, where the plot becomes the quintessence of emotion. For me, it is not about a linear script but a way to extract the core of a story - its essential experience. These are films that do not showcase a sequence but focus on the sensation.
Melancholy is not just sadness but the poetry of contemplation, loss, and memories. It embodies both complexity and simplicity. It fuels my inspiration and becomes the foundation of the stories I create.
I use blur, light, and textures inspired by the effect of film, to immerse the viewer in a state of nostalgia and the ephemerality of the moment. My art invites contemplation, immersion in atmosphere, and reflection on the story, with the echo of these details making the world feel more deeply.